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(In)complétude

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Evil Genius

(on Brian Wilson and the films of Wes Anderson)

by Jean-Philippe Tessé
In this article, film critic Jean-Philippe Tessé undertakes an analysis that compares singer-songwriter Brian Wilson to the protagonists of the films of Wes Anderson. An ambiguous icon of the 1960s and ‘70s—sometimes bright and sunny, sometimes dark and tormented—Wilson incarnates, claims Tessé, a figure of failure specific to pop culture, which the author associates with his own study of contemporary burlesque humor. This text is adapted from a lecture given at CAPC in the context of a symposium called A travers le miroir. La culture pop et au-delà (CAPC musée d’art contemporain de Bordeaux, December 7–8, 2007). Tessé, born in 1977, is a member of the editorial board of Cahiers du Cinéma and editor of the movie section of Chronic’art magazine; in 2007 he published Le burlesque (Paris: Les Éditions des Cahiers du Cinéma).

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