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Beyond the Valley of A Day in the Life
The Beatles,
the Beach Boys
& stepping outside historyby Pacôme Thiellement
The relationship between the Beach Boys and the Beatles is at the heart of some key issues in pop culture, namely: can pop music function as a tool of knowledge? And if so, how? Author and essayist Pacôme Thiellement has published several articles on pop music, poetry, and black magic; here he offers an exegesis of Beach Boys’ and Beatles’ masterpieces in the same vein as his book on pop and gnosis, Poppermost: Considérations sur la mort de Paul McCartney (Paris: Musica Falsa, 2002), a theory of pop culture elaborated through a comparison of the Beatles and the Residents.
Thiellement has also published an essay on Frank Zappa from an anthropological perspective ( Economie Eskimo: Le rêve de Zappa , Paris: Musica Falsa, 2005) and, most recently, a study of Nerval (L’homme électrique: Nerval et la vie, Paris: Musica Falsa).
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technique mixte
Arcadia, Here and Now
by Emilie Renard
Emilie Renard’s L’Arcadie: ailleurs et autrefois, ici et maintenant et l’année prochaine is a project—built around a central text expounding her approach—that comparatively analyses numerous writings, pictures, and documents related to the notion of Arcadia. Study of the myth of Arcadia allows her to shed light on its multiple appearances in contemporary art, articulating notions of counter-culture, of collectivity, of community, and of an unknown or idealized “elsewhere.” Renard’s tentacular critical approach stems from research that attempts to explore what might now constitute a major artistic shift. It also includes an original method of categorization, organized into four main groups divided into subgroups, themselves composed of various elements. This collage-type method triggers startling ramifications, not unlike one of the explicit sources of the author’s technique, namely Dan Graham’s interpretative approach. Indeed, Graham’s text ARCADIA , translated into French and placed in perspective by Renard, occupies a specific place in the project.
Renard is an art critic and curator who lives and works in Paris.
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video
La vague et le vague.
Gilles Deleuze on surfby Arnaud Viviant
Gilles Deleuze on surf, la vague et le vague, a “performance lecture” by Arnaud Viviant, implements a kind of free, intellectual, and progressive drift within the philosophy of the “surf” concept. From Wikipedia to surf music and from the Beach Boys to Gilles Deleuze, Viviant sketches a theory of pop and of our contemporary relationship to culture.
This video piece documents a lecture given at CAPC in the context of a symposium titled A travers le miroir. La culture pop et au-dela (CAPC musée d’art contemporain de Bordeaux, December 7–8, 2007).
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texte
Daniel Johnston R.I.P
by Wilfried Paris
In this article, Wilfried Paris adopts a unique approach to one of the key figures of pop culture: Daniel Johnston. An American songwriter born in 1961, Johnston is a mythical figure in more ways than one, since his life and various activities (including drawing) make him an archetypal (post)modern (anti)hero. An epic text—halfway between rock criticism, pop philosophy, and metaphysical fiction—reflects the ambivalence of its subject.
Wilfried Paris, a musician and journalist, here offers a unique, dense, almost imaginary analysis—the first of its kind—in the form of a portrait of one artist dreamed up by another.
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video
Jason Rhoades
Visite d’atelier
by Atelier pensée nomade, chose imprimée
Los Angeles, 1984
This visit by the group Atelier Pensée Nomade, Chose Imprimée, (École des beaux-art de Bordeaux) to the studio of Jason Rhoades, a Californian artist (1965–2006) begins with a light box and ends with the firing of a gun that turns a potato into French fries.
From box to fries, we see the making—and using—of a piece of art. Rhoades takes us to his favorite DIY store, Homebase in Inglewood, in search of the parts needed to make an “ABS Gun with Pom Fritz Choke.” It is built around a plastic tube and triggered by a can of hairspray, all inspired by the warrior gear of the kids in Rhoades’ neighborhood. A pure gem of LA suburbia.
On the way, Rhoades discusses his childhood in northern California, his recollection of country fairs, Brancusi, and why he opts for yellow.
“Why this special yellow?”
“To match the gallery… just a stupid way of choosing something … just a choice.”
Back in the studio, he hectically saws, assembles, and glues, offering practical tips over the din of the machines. Rhoades gets his hands dirty, showing us how to make art. He thinks with his senses, senses things with his mind.
“We can build a potato gun!”
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texte
In Search of Pop: From Seductive Beat to Global Ecstasy
by Yann Chateigné Tytelman / Florent Mazzoleni
In this e-mail exchange, Yann Chateigné Tytelman and Florent Mazzoleni discuss what are the stakes of “pop culture” today, extending from art and music to criticism. They address the forms it takes, its economy, its geography and its politics right from the birth of worldwide pop, ranging from the USA to Africa and back again, not overlooking the “French situation.”
Mazzoleni is a writer, journalist and photographer whose publications notably include L’Épopée de la musique africaine (Hors Collection, 2008), Disco (Flammarion, 2007), L’odyssée du rock (Hors Collection 2004) and, more recently Les racines du rock (Hors Collection, 2008).
